One aspect of the KSM8 which does borrow from the past, though, is its internal pneumatic shockmount. The Neumann KMS 105 is a great choice for studio vocals. The Shure KSM8 Dualdyne Microphone is the worlds first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. One distinctive advantage of Shure KSM9 is that it is quite less sensitive than Neumann KMS 105. Have a question or request? The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. 965 seriously cuts through the muddiness very crisp high end. The exterior of the grille can be cleaned by gently using warm soap and water with a soft toothbrush. The results were always stellar and we use the wireless versions of KSM9 on our singers with James Taylor to this day. Depending on your style, it may require some minor adjustments to your pronunciation, but in the end it is still more forgiving than a condenser. ; chanel 5:52 Thanks for Watching! All in all, the KSM9 offers a very happy medium. Traditional microphones confine the performer to a specific distance from the microphone. It can also be a bit more forgiving when it comes to microphone technique. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Happy customers, one piece of gear at a time! Balancing bullet-proof reliability, technical sophistication and dynamic stage ready appearance. Its not something I could actually hear. So having the benefits of that technology available on stage for the live-sound market is very appealing. The Neumann KMS 105 and the Shure KSM9 are both great microphones, but the Neumann kms 105 is the better microphone. So, are there any downsides? However, the KSM9 has this covered. The Neumann kms 105, on the other hand, is a more affordable option that still provides great sound quality. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. DuPont de Nemours and Company in the United States. . You wont have the super resilience of a dynamic mic. This protects the diaphragm and capsule from harm, and reduces handling noise and stage vibrations. What's the problem with your 58? MusicRadar is part of Future plc, an international media group and leading digital publisher. The Shure KSM9 is a higher-end microphone that is known for its clear sound quality. Shure QLXD2/KSM9. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. 1:41 Shure KSM9 Only The best way I can describe the sound of the KSM9 is that it provides an authentic reproduction of the sound source. Large diaphragm mics tend to be better at capturing low-end, whereas smaller diaphragm microphones do a better job with higher frequencies and transient detail. After the KSM9 development, I began talking to Shure about an all-new dynamic vocal mic. Shures Dualdyne capsule is housed in a brand new aluminium handle, which is similar in shape and size to the KSM9 condenser stage. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. Neumann are known for producing premium quality microphones, and so its no surprise that the KMS105 gives the Shure KSM9 a run for its money. A perfect choice for precise, intimate live vocals. The BLX88 is the two-channel version of the BLX4. This labyrinth is designed to delay sound from the rear, and is critical in achieving a directional polar pattern. A cardioid polar pattern picks up sound in a heart shape around the front of the microphone. SM58. AK8C. KSM8 is a dynamic with a darker tone. Shures KSM8 introduces the Braunmhl-Weber dual-diaphragm concept into a moving-coil capsule for the first time, with substantial practical and sonic advantages for the live-sound market. JavaScript is disabled. As a condenser designed for gigging and live use, the KSM9 is perfect for anyone looking to bring a high quality studio sound to the stage. For example, AKG developed their D200 range of two-way or dual-capsule microphones in the late 1960s. The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. Obviously, handheld dynamic mics are nothing new, and neither are microphones with dual diaphragms: every switchable-pattern capacitor mic has used that particular technology since the mid-1930s! For noisier setups, the tighter supercardioid pattern does a good job of rejecting off-axis noise, which reduces feedback and stage bleed. It has a 40 to 16000 Hz frequency response, a 300 output impedance, and a sensitivity of -51.5 dBV/Pa (1.85 mV) at 1 kHz, open circuit. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. With solid internal engineering, it handles noise and feedback well. Both mics have their pros and cons, so it can be tough to decide which one to buy. However, the weight of the coil limits how responsive the mic can be, and it tends to struggle to replicate high frequencies and dynamic detail. They must maintain this distance in order to avoid variations in tone. Mic stands reduce any handling noise in the studio. Theres still a noticeable proximity when youre right on the grille, and here plosives still creep in, but nevertheless, for terms of ease of use, youre getting a much more predictable, consistent sound in a variety of positions. Follow us. Comparison of Shure KSM9 and Shure SM58 based on specifications, reviews and ratings. The overall off-axis response is very smooth, and although the pick-up pattern is at the broader end of cardioid, theres pretty good rear rejection, particularly noticeable in the midrange frequencies. Our robust and effective solutions create market success. This helps reduce handling and stand noise, as well as offering some protection to the internal circuit. 210.65.88.143 It is also equipped with a three-position bass roll-off switch that optimizes the microphones response for different applications. It features a cast aluminium handle, solid construction, and comes in two colours: charcoal or champagne. PR35 has a lot of fans. This is like having two mics in one, and is a real bonus. Go for the shorter lengths where possible. Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. The KSM8 is unique in being a dual-diaphragm, moving-coil stage vocal mic. SHOCKSTOPPER is a trademark of Shure Incorporated in the United States. Very well-defined cardioid polar pattern with minimal off-axis coloration and a deep rear null. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. In this blog post, we will discuss the comparison between Neumann kms 105 vs Shure KSM9, which one is best for you and why should you buy it. KSM8. Save my name, email, and website in this browser for the next time I comment. Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement. A max SPL of 152db is also a little lower than the SM58, but not drastically different to some of the other pro-level dynamic microphones (e.g. More videos like Shure KSM8 vs. KSM9 | Whats the Difference? However, if you imagine a noisy gig environment, you can see how you might run into problems with feedback and monitor bleed. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. Jan 28, 2013. Some sound engineers also favour the increased directionality of a supercardioid when recording drums or other instruments. Both patterns arestandard and both can be as useful in different situations. BLX4 and BLX88 systems are throw-it-in-your-backpack wireless mic systems with portable receivers, great for getting around quickly. Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). Always hold the vocal mic by the main body, and if theres too much sibilance, try holding it slightly to the side. Shure KSM9 Cardioid and Supercardioid Condenser Mic. A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. Shure KSM9 has two modes: cardioid and supercardioid. The unique feature of KSM9 is a switchable pattern (cardioid vs. supercardioid), which gives greaterflexibility for any situation or environment. The KMS 105 also has a very high audio quality, making it perfect for professional recordings. Giving just enough brightnessto put you in line or slightly ahead of the instruments, I find it working great for all types of voices too. The dual-diaphragm microphone delivers a smoother response throughout the vocal range and is less susceptible to improper microphone handling, requiring less corrective signal processing and resulting in a more natural sound. Bauers clever Uniphase design omitted the rear diaphragm, but led directly to the iconic Unidyne Model 55 microphone, released in 1939: the worlds first single-capsule cardioid dynamic mic. Find An Answer Browse our vast Answer database for answers to many common technical questions. The low frequency behaviour is considerably more forgiving, providing a much bigger sweet spot. A crossover at 500Hz combines the two capsule outputs to produce the final signal, much like a two-way speaker working in reverse! If the grille becomes damaged or deformed, please contact Shure's Service Department for a replacement. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. KOHN MUSIC STORE. However, the proximity effect is not the only aspect of the capsules behaviour that is changed by the addition of a rear passive diaphragm. KSM8 Dualdyne Dynamic Handheld Vocal Microphone from Shure is a dual-diaphragm dynamic microphone crafted for vocal reproduction and sound-reinforcement in live performances and top-tier professional venues. See giveaway details & rules or check out our past winners! My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. This means that the strength of the sound emitted from the mic is dependent on the force used to push air through the membrane. And of these, the SM57 and SM58 are industry-standard around the world. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. The Shure KSM9 can switch between two different polar patterns: cardioid and super-cardioid. We are excited to continue our mission and build the next dynamic design and innovation team that can envision, shape and create new growth platforms for the ambitious. At the bottom of the KSM8s capsule is a second passive diaphragm, which is there to seal the rear chamber and its internal acoustic labyrinth. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. Exclusive deals, delivered straight to your inbox. Another drawback of sensitive microphones is that they often have a low maximum SPL. Taken all together, these attributes should combine to make the KSM8 a joy to work with on stage, minimising the need for aggressive EQ or dynamic manipulation. The entire midrange, which corresponds for vocal and most instrumental sounds is precise as never before. Theyre balanced, which means the cables are shielded from interference and carry a higher signal than unbalanced cables. As for music genres, KSM9 works best with latin, jazz, pop music, rock and similar. In other words, the acoustic impedance of the diaphragm increases as the frequency gets lower. Off-axis frequency response is very smooth. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. Its an effect used by radio presenters to give them very deep voices. The lows are being naturally rolled off to avoid that unwanted mud and boominess. Developments in powerful, rare-earth magnetic materials have helped a lot here, and the KSM8 uses a Neodymium magnet in a micro-injection mould of aerospace SoftMag material (whatever that is!) The KSM8 provides greater immunity to these problems, due to linear polar response across the entire frequency spectrum. There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). For a condenser, different polar patterns are achieved by changing the backplate voltage, shifting the capacitance, etc., - these manipulations are essentially . Shure Tech Portal open_in_new. This translates to greatly reduced level and tonality changes and less need to compress or EQ the mic in the FOH mixer, even if the users mic technique is less than perfect! In the event of some tragedy befalling the mic, replacement grilles and complete capsules are available, if required, so the KSM8 should endure the rigours of touring live sound over a very long life. Feel free to call us toll free at (800)222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. However, the output impedance is slightly higher than usual, at 300, and although this will technically mean a slightly higher noise floor than a mic with, say, a 150 output impedance, given the KSM8s intended application I think such concerns are completely irrelevant. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. As a premium mic, the KSM9 is certainly pricey. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. But the Shures smaller dual diaphragm design may give it the edge when it comes to a natural, clear and authentic sound. The downside is that the KSM9 seems to pick up everything on stage.. FYI there is a new version of the KSM9 that now offers a switchable polar pattern. In America, Electrovoice took a very different approach in their EV664 microphone launched in 1954. 531 171. The Shure KSM9 has a sleek metal solid-colour design. Always works in a rock setting. As well as the microphone, the KSM9 also comes with: Dynamic mics are extremely durable, and can withstand a certain amount of rough and tumble. Overall, the KSM8 is excellent for vocals but not quite the allrounder that the SM-series mics are. Switchable cardioid and super-cardioid patterns. The dual-diaphragm microphone greatly reduces the proximity effect, and low-frequency response remains consistent with distance. On stage, the wider cardioid pattern is more suited to singers who move around the mic a bit more. Picking the mic up reveals that it is pleasantly weighty, at 330g, and it feels well balanced in the hand. But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. Condenser mics are generally considered as sensitive to handling vibrations; however, in case with KSM9 the difference is tremendous. They even look similar, with tapered handles and squareish divided metal grilles. I think the champagne looks very chic! ksm9 hs surprising on no feedback. Wed love to hear from you. This mic has a number of features that make the overall experience even more enhancing First of all, is a state of art suspension system for the capsule, which results in reduced handling noise. Engineering products to address all technical and business criteria and solve the most difficult design problems through integrated mechanical, electrical, software and firmware solutions. Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. KSM8. It also helps to minimise high-frequency handling noise. #3. Also, what's your use case, as this will probably help us guide you towards to best choice! MA 02210. This item: Shure RPW174 KSM8 Dualdyne Wireless Capsule for Shure Transmitters. Theyre reliable, and lots of them sound great. . I'm somewhat unfamiliar with the Sennheiser line of microphones. Overview. Its one of those things that comes down to personal taste. More videos like Shure KSM8 vs. KSM9 | What's the Difference? For quieter, well-controlled stage environments, (or in-ear monitors) the cardioid pattern sounds great. To learn more about our cookie policy, please visit our Privacy Policy. The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. In combination, these are designed to provide effective plosive and wind protection, as well as keeping breath moisture away from the capsule. The lowest frequencies enter via the farthest entrance port, with mid and high frequencies entering through ports closer to the capsule. 530 706 Des. If you want your live vocals to be closer to your refined studio sound, then this is where a good handheld condenser comes in. This mic has all the detail and nuance that youd expect from a studio condenser. Where the magic happens! All rights reserved. It is for precisely these reasons that dual-diaphragm capacitor microphones have become the standard choice for recording close-up vocals, users often citing the preferred low-frequency character, and why single-diaphragm cardioid mics are generally preferred for more distant-miking applications.
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